The Making of Pinocchio

Cade & MacAskill
Performance, 2021-Present
Join two artists on a fantastical journey through a real-life story as they make a new trans version of Pinocchio.

A true tale of love and transition told through the story of Pinocchio. Set in a fictional film studio, you are invited to go behind the scenes of Cade & MacAskill’s creative process and their relationship, and question what it takes to tell your truth.

We began creating The Making Of Pinocchio in 2018 when Ivor came out as trans. With support from the Diane Torr bursary and through a series of residencies at Gessnerallee, Mousonturm, National Theatre of Scotland and West Kowloon Cultural District, the process allowed us to respond creatively to his gender transition as a couple. 

This tender and complex autobiographical experience is woven into the work, which is set in a film studio, and follows 2 artists on a fictional process of creating a trans version of Pinocchio, inviting audiences to see the behind the scenes ‘reality’. 

The layers of reality and fantasy become complicated and slide around throughout, as the artists get consumed by the fantasy world of Pinocchio. Using cameras, live feed, screens and Forced Perspective the audience’s view is manipulated and constantly shifting. Central questions around what it means to be seen as a ‘real boy’, or to have to prove your authenticity, and how this relates to a cultural trend for autobiography underpin the work. It also joyfully embraces the importance of fantasy and imagination in queer world making, and the idea of transness as a state of possibility that can open up society.

Join two artists on a fantastical journey through a real-life story as they make a new trans version of Pinocchio.

A true tale of love and transition told through the story of Pinocchio. Set in a fictional film studio, you are invited to go behind the scenes of Cade & MacAskill’s creative process and their relationship, and question what it takes to tell your truth.

We began creating The Making Of Pinocchio in 2018 when Ivor came out as trans. With support from the Diane Torr bursary and through a series of residencies at Gessnerallee, Mousonturm, National Theatre of Scotland and West Kowloon Cultural District, the process allowed us to respond creatively to his gender transition as a couple. 

This tender and complex autobiographical experience is woven into the work, which is set in a film studio, and follows 2 artists on a fictional process of creating a trans version of Pinocchio, inviting audiences to see the behind the scenes ‘reality’. 

The layers of reality and fantasy become complicated and slide around throughout, as the artists get consumed by the fantasy world of Pinocchio. Using cameras, live feed, screens and Forced Perspective the audience’s view is manipulated and constantly shifting. Central questions around what it means to be seen as a ‘real boy’, or to have to prove your authenticity, and how this relates to a cultural trend for autobiography underpin the work. It also joyfully embraces the importance of fantasy and imagination in queer world making, and the idea of transness as a state of possibility that can open up society.

More than anything, The Making of Pinocchio testifies to an evolving, continually transforming love between partners, a love for making things and oneself.

2024 Winner of the Kontrapunkt Grand Prix

2023 Winner of Best Production Made Outside of Quebec at Québec Theatre Critics Association  

2022 finalist in OffWest End Awards.

Touring since 2022 as a live show with a digital edition available, this critically acclaimed performance has been a hit with audiences and critics in 25 different cities, translated into 10 different languages.

Upcoming Performances
Past Performances

It's The Real Thing

Roxy

Basel, Switzerland

De Singel

Antwerp, Belgium

S·PLOT

Teatr Pinokio

Łódź, Poland

Dublin Theatre Festival

Samuel Beckett Theatre

Dublin, Ireland

Homo Novus

Latvian Academy of Culture

Riga, Latvia

Trafó

Budapest, Hungary

Théâtre Les Tanneurs

Brussels, Belgium

Festival d’Automne

Maison de la culture de Seine-Saint-Denis

Paris, France

Moving Festival

Espoon Teatteri

Helsinki, Finland

Actoral

Théâtre Friche la Belle de Mai

Marsielle, France

Gessnerallee

Zürich, Switzerland

La Batie

Salle du Lignon

Geneva, Switzerland

Mayfest

Bristol Old Vic

Bristol, England

Rosendal Teater

Trondheim, Norway

Kontrapunkt Festival

Teatr Polski

Szczecin, Poland

Created by Rosana Cade & Ivor MacAskill
Performed by Rosana Cade, Ivor MacAskill, Jo Hellier, Tim Spooner, Ray Gammon & Moa Johansson
Set, Prop & Costume Designer: Tim Spooner
Sound Designer: Yas Clarke
Cameras: Jo Hellier
Lighting Designer: Jo Palmer
Cinematographer: Kirstin McMahon and Jo Hellier
Produced by Dr. Nora Laraki for Artsadmin
Creation produced by Mary Osborn for Artsadmin
Production Manager: Sorcha Stott-Strzala
Assistant Stage Manager: Ray Gammon
Company Manager: An* Neeley, Ray Gammon, Nene Camara
Outside Eye: Nic Green
Movement advisor: Eleanor Perry
Captioning: Collective Text; Emilia Beatriz, Daniel Hughes with Rosana Cade, Yas Clarke, Ivor MacAskill, and Jamie Rea

Commissioned by Fierce Festival, Kampnagel, Tramway & Viernulvier with support from Attenborough Centre for the Creative Arts, Battersea Arts Centre, LIFT and Take Me Somewhere.

Funded by Creative Scotland, Arts Council England, and Rudolf Augstein Stiftung, with development support from The Work Room/Diane Torr Bursary, Scottish Sculpture Workshop, National Theatre of Scotland, Live Art Development Agency, Gessnerallee, Mousonturm, Forest Fringe, West Kowloon Cultural District and LGBT Health & Wellbeing Scotland.


Photo credits: Christa Holka and Tiu Makkonen

Created by Rosana Cade & Ivor MacAskill
Performed by Rosana Cade, Ivor MacAskill, Jo Hellier, Tim Spooner, Ray Gammon & Moa Johansson
Set, Prop & Costume Designer: Tim Spooner
Sound Designer: Yas Clarke
Cameras: Jo Hellier
Lighting Designer: Jo Palmer
Cinematographer: Kirstin McMahon and Jo Hellier
Produced by Dr. Nora Laraki for Artsadmin
Creation produced by Mary Osborn for Artsadmin
Production Manager: Sorcha Stott-Strzala
Assistant Stage Manager: Ray Gammon
Company Manager: An* Neeley, Ray Gammon, Nene Camara
Outside Eye: Nic Green
Movement advisor: Eleanor Perry
Captioning: Collective Text; Emilia Beatriz, Daniel Hughes with Rosana Cade, Yas Clarke, Ivor MacAskill, and Jamie Rea

Commissioned by Fierce Festival, Kampnagel, Tramway & Viernulvier with support from Attenborough Centre for the Creative Arts, Battersea Arts Centre, LIFT and Take Me Somewhere.

Funded by Creative Scotland, Arts Council England, and Rudolf Augstein Stiftung, with development support from The Work Room/Diane Torr Bursary, Scottish Sculpture Workshop, National Theatre of Scotland, Live Art Development Agency, Gessnerallee, Mousonturm, Forest Fringe, West Kowloon Cultural District and LGBT Health & Wellbeing Scotland.


Photo credits: Christa Holka and Tiu Makkonen